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Reporter : a memoir
2018
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Introduction I am a survivor from the golden age of journalism, when reporters for daily newspapers did not have to compete with the twenty-four-hour cable news cycle, when newspapers were flush with cash from display advertisements and want ads, and when I was free to travel anywhere, anytime, for any reason, with company credit cards. There was sufficient time for reporting on a breaking news story without having to constantly relay what was being learned on the newspaper's web page. There were no televised panels of "experts" and journalists on cable TV who began every answer to every question with the two deadliest words in the media world--"I think." We are sodden with fake news, hyped-up and incomplete information, and false assertions delivered nonstop by our daily newspapers, our televisions, our online news agencies, our social media, and our President. Yes, it's a mess. And there is no magic bullet, no savior in sight for the serious media. The mainstream newspapers, magazines, and television networks will continue to lay off reporters, reduce staff, and squeeze the funds available for good reporting, and especially for investigative reporting, with its high cost, unpredictable results, and its capacity for angering readers and attracting expensive lawsuits. The newspapers of today far too often rush into print with stories that are essentially little more than tips, or hints of something toxic or criminal. For lack of time, money, or skilled staff, we are besieged with "he said, she said" stories in which the reporter is little more than a parrot. I always thought it was a newspaper's mission to search out the truth and not merely to report on the dispute. Was there a war crime? The newspapers now rely on a negotiated United Nations report that comes, at best, months later to tell us. And have the media made any significant effort to explain why a UN report is not considered to be the last word by many throughout the world? Is there much critical reporting at all about the UN? Do I dare ask about the war in Yemen? Or why Donald Trump took Sudan off his travel ban list? (The leadership in Khartoum sent troops to fight in Yemen on behalf of Saudi Arabia.) My career has been all about the importance of telling important and unwanted truths and making America a more knowledgeable place. I was not alone in making a difference; think of David Halberstam, Charley Mohr, Ward Just, Neil Sheehan, Morley Safer, and dozens of other first-rate journalists who did so much to enlighten us about the seamy side of the Vietnam War. I know it would not be possible for me to be as freewheeling in today's newspaper world as it was until a decade ago, when the money crunch began. I vividly remember the day when David Remnick, the editor of The New Yorker, called in 2011 to ask if I could do an interview with an important source by telephone rather than fly three thousand miles to do one in person. David, who did everything possible to support my reporting on the Abu Ghraib prison horror in 2004--he paid dearly to enable me to publish reporting pieces in three consecutive issues--made his plea to me in what I thought was a pained, embarrassed voice, almost a whisper. Where are the tough stories today about America's continuing Special Forces operations and the never-ending political divide in the Middle East, Central America, and Africa? Abuses surely continue-- war is always hell--but today's newspapers and networks simply cannot afford to keep correspondents in the field, and those that do-- essentially The New York Times, where I worked happily for eight years in the 1970s, constantly making trouble--are not able to finance the long-term reporting that is needed to get deeply into the corruption of the military or intelligence world. As you will read herein, I spent two years before I was able to learn what I needed to report on the CIA's illegal domestic spying in the 1960s and 1970s. I do not pretend to have an answer to the problems of our media today. Should the federal government underwrite the media, as England does with the BBC? Ask Donald Trump about that. Should there be a few national newspapers financed by the public? If so, who would be eligible to buy shares in the venture? This is clearly the time to renew the debate on how to go forward. I had believed for years that all would work out, that the failing American newspapers would be supplanted by blogs, online news collectives, and weekly newspapers that would fill in the blanks on local reporting as well as on international and national news, but, despite a few successes--VICE, BuzzFeed, Politico, and Truthout come to mind--it isn't happening; as a result, the media, like the nation, are more partisan and strident. So, consider this memoir for what it is: an account of a guy who came from the Midwest, began his career as a copyboy for a small agency that covered crime, fires, and the courts there, and eleven years later, as a freelance reporter in Washington working for a small antiwar news agency, was sticking two fingers in the eye of a sitting president by telling about a horrific American massacre, and being rewarded for it. You do not have to tell me about the wonder, and the potential, of America. Perhaps that's why it's very painful to think I might not have accomplished what I did if I were at work in the chaotic and unstructured journalism world of today. Of course I'm still trying. Excerpted from Reporter: A Memoir by Seymour M. Hersh All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
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  New York Times Review

THE PISCES, by Melissa Brodér. (Hogarth, $25.) In Broder's charmingly kooky debut novel, a depressed Ph.D. student chances upon her dream date - and he's half fish. Brodér approaches the great existential subjects as if they were a collection of bad habits. That's what makes her writing so funny, and so sad. KUDOS, by Rachel Cusk. (Farrar, Straus & Giroux, $26.) As she did in the first two volumes of this spare, beautiful trilogy, Cusk illuminates her narrator's inner life via encounters with others. The novels describe in haunting detail what it's like to walk through the world, trailing ashes after your life goes up in flames. SHE HAS HER MOTHER'S LAUGH: The Powers, Perversions, and Potential of Heredity, by Carl Zimmer. (Dutton, $30.) Zimmer does a deep dive into the question of heredity, exploring everything from how genetic ancestry works to the thorny question of how race is defined, biologically. The book is Zimmer at his best: obliterating misconceptions about science in gentle prose. FRENEMIES: The Epic Disruption of the Ad Business (and Everything Else), by Ken Auletta. (Penguin Press, $30.) Advertising has lost its luster in recent decades - in part because of the dependency and competition between ad agencies and Silicon Valley, one of many "frenemy" relationships Auletta details. BAD BLOOD: Secrets and Lies in a Silicon Valley Startup, by John Carreyrou. (Knopf, $27.95.) Elizabeth Holmes and her startup, Theranos, perpetrated one of the biggest scams in the history of Silicon Valley, raising millions for a medical device that never really existed. Carreyrou's account reads like a thriller. REPORTER: A Memoir, by Seymour M. Hersh. (Knopf, $27.95.) In Hersh's long, distinguished and controversial career he exposed brutality, deception, torture, illegal surveillance and much else. His memoir about knocking on doors in the middle of the night and reading documents upside down can be considered a master class in the craft of reporting. THE GIRL FROM KATHMANDU: Twelve Dead Men and a Woman's Quest for Justice, by Cam Simpson. (Harper/ HarperCollins, $27.99.) Simpson, an investigative reporter, retraces the journey of 12 laborers from their Nepal homes to their deaths by terrorists in Iraq while en route to an American military base. THE PERFECTIONISTS: How Precision Engineers Created the Modern World, by Simon Winchester. (Harper/HarperCollins, $29.99.) This eclectic history celebrates feats of engineering while asking if imperfection might have a place. THE DEATH OF DEMOCRACY: Hitler's Rise to Power and the Downfall of the Weimar Republic, by Benjamin Carter Hett. (Holt, $30.) Hett's sensitive study of Germany's collapse into tyranny implies that Americans today should be vigilant. The full reviews of these and other recent books are on the web: nytimes.com/books

  Publishers Weekly Review

Morey, with his mature and confident voice, is a convincing stand-in for journalist Hersh in the audio edition of Hersh's memoir. The book recounts Hersh's storied career as an investigative reporter, from his Pulitzer-winning report on the 1968 massacre of Vietnamese civilians by American troops at My Lai, up through more recent exposés, including that of the torture of Iraqi prisoners at Abu Ghraib military prison. Morey's vocal delivery has the perfect tone and timbre to tell Hersh's story. His reading conveys Hersh with conviction as he recounts how the reporter doggedly follows lead after lead in his efforts to get to the truth of a story. Morey's skillful narration of Hersh's life makes for an excellent listening experience. A Knopf hardcover. (June) © Copyright PWxyz, LLC. All rights reserved.
Summary
" Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. This book is essential reading for every journalist and aspiring journalist the world over." --John le Carré <br> <br> From the Pulitzer Prize-winning, best-selling author and preeminent investigative journalist of our time --a heartfelt, hugely revealing memoir of a decades-long career breaking some of the most impactful stories of the last half-century, from Washington to Vietnam to the Middle East.<br> <br> Seymour Hersh's fearless reporting has earned him fame, front-page bylines in virtually every major newspaper in the free world, honors galore, and no small amount of controversy. Now in this memoir he describes what drove him and how he worked as an independent outsider, even at the nation's most prestigious publications. He tells the stories behind the stories -- riveting in their own right -- as he chases leads, cultivates sources, and grapples with the weight of what he uncovers, daring to challenge official narratives handed down from the powers that be. In telling these stories, Hersh divulges previously unreported information about some of his biggest scoops, including the My Lai massacre and the horrors at Abu Ghraib. There are also illuminating recollections of some of the giants of American politics and journalism: Ben Bradlee, A. M. Rosenthal, David Remnick, and Henry Kissinger among them. This is essential reading on the power of the printed word at a time when good journalism is under fire as never before.
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